![]() We all felt extremely well cared-for by her and also by the owners, Dave & Renata, during our entire visit. The Innkeeper, Julie, is a true professional and an incredible chef, who is genuine, open, warm and friendly and gives great attention to even the smallest details. The common rooms, including the parlor, foyer and dining room are also beautifully furnished and decorated with period pieces, including several of Miss Molly’s own collection of books, some nearly a century old! We had a relaxing week in Chincoteague, so I had a chance to read through some of those as well. This was an important book in my wife’s childhood, which is why we came to the Island (twice now, once before to see the pony swim). It felt like a true privilege and honor to st ay in the same room as the late Marguerite Henry, the lady who wrote “ Misty of Chincoteague.” Of course, copies of the book are provided, and so I was able to read the book for the first time in the very room where it was written. Beautiful, comfortable, well-appointed and historic. ![]() The Inn is everything they say, and more. We had a wonderful time at Miss Molly’s Inn B&B last week, despite the heat wave, etc., that engulfed the entire mid-Atlantic for most of our week. We pass it along here in the hopes that it will give you some idea of what to expect while staying at our Chincoteague B&B. Not only do their kind words have us blushing with pride, they also do a wonderful job of describing The Miss Molly’s Inn experience. Like their contemporaries, The Beatles, the Stones and The Who, The Kinks were able to explore and develop a number of different musical styles and lyrical themes through a myriad of different songs, that, in one way or another, could all be considered rock 'n' roll.This summer, we received a wonderful and detailed review of our Chincoteague B&B from a recent guest. This show is a good example of why this cutting edge British Invasion band remained so influential for so many years. The Kinks would remain intact for another 24 years, but in the end, only Ray and Dave Davies would remain from the original lineup. Among them: "All Day and All of the Night," "You Really Got Me" and "Top of the Pops," which were originally cut for the Lola vs. They, however, remain necessary to show the total Kinks experience in concert. Sadly, some of the best tracks are incomplete or are provided as outtakes. Next, the crowd is entertained by hits like "A Well Respected Man," "Lola" and "Here Comes Yet Another Day." Songs like "Brainwashed" and "Acute Schizophrenia Paranoia Blues" as well as "Alcohol" fair less successfully, but are crucial to the aura of any Kinks show. Staples like "You're Looking Fine," segued into the Chuck Berry classic, "Little Queenie," work well to get the show off the ground. The band mixes a fair amount of older hits with newer material they were trying to establish in the U.S. The brilliant song about the faded glory of Hollywood Movie Stars of the past, entitled "Celluloid Heroes," would take the album to gold and further establish Ray Davies as one of the most poignant songwriters of his generation. (where the band had its biggest following). In the end, Everybody's In Showbiz was the band's first album to do considerably better in the U.S. This show was recorded during the promotion of Everybody's In Showbiz, an ambitious double LP (and the band's second outing on RCA Records) that combined new studio tracks with live versions of some of their previous songs. Ray used these times to write a number of concept records, most of which had some specific geographic tie-in to Great Britain. It was during this period that he wrote what many feel was his greatest song ever, "Waterloo Sunset." Being stuck mostly in the UK, plus the on-again-off-again feud he had with his band-mate and brother, Dave, made for some very isolated times in his life. The band remained in its native United Kingdom for the most part and during this time, lead vocalist/songwriter/guitarist Ray Davies became more and more entrenched in lyrical themes that were distinctly British. Because of reasons that have never really been explained, The Kinks were unable to tour the USA from 1966 through early 1969. Still, The Kinks could be a great live act, as they prove here. It marked the end of The Kinks as a '60s British Invasion pop band, to the group becoming a vehicle for Ray Davies' increasingly introspective rock 'n' roll poetry and his over-the-top performances, which borrowed heavily from the vaudevillian style of stage charisma. The Kinks were going through a serious transition when this recording was made in Washington, DC back in 1972. Mick Avory - drums John Dalton - bass Dave Davies - guitar, harmonica Ray Davies - guitar, vocals John Gosling - keyboards John Beecham - trombone, horn Michael Cotton - trumpet Alan Holmes - flute, saxophone Dave Jones - saxophone
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